Showing Records: 61 - 80 of 3872
A Canticle of Celebration : Mixed Chorus, Brass and Timpani, [1971]
Full score in ink (6 leaves); 5 instrumental parts, in ink.
A Cappella
A small collection of music manuscripts and scores by noted choral composer and former Northwestern University School of Music dean, Peter Christian Lutkin. Seven additional folders contain various writing, programs, clippings and other personal papers which belonged to Lutkin or his family.
A Cheerful Flourish, [1998]
Full score, in ink (2 leaves); Photocopy of full score.
A Clear Midnight : (Whitman) : Baritone and Piano, To 1973
Full score, in ink (3 leaves); Sketch in pencil (3 leaves)
A Cold Spring : Tenor and Nine Instruments, [1957]
Full score, in ink (15 p.); Sketch of piano/vocal score, in pencil (3 p.); 7 parts, in ink
A Comment : (Parker) : Medium Voice and Piano, To 1982
Full score, in ink (2 leaves); Sketches, in pencil (3 leaves)
A Eucharistic Hymn : Mixed Chorus, Organ and Optional Brass : (Text by John Vorrasi), 1975
Sketches, in pencil (3 leaves); Text, partially in typescript, partially handwritten (2 leaves); 1 copy of published score (New York, N.Y. : H. W. Gray, 1977)
A Fable : Tenor, Harp and Double Bass, To 1987
Sketch, in pencil (12 p.)
A Festival Flourish : Two Trumpets and Organ, [1966]
Published score with 2 parts, published by GIA Publications, Chicago, IL; No manuscript material.
'A few minutes with an oboist:' Concerto galante für oboe und kammerensemble (Cologne: Musikverlage Hans Gerig), To 1973
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
A flower given to my daughter, for voice and piano, 1942
Manuscript scores, business records, and correspondence that reflects AME’s repertoire of new American music by Green, Carl Ruggles, Halsey Stevens, and others, as well as the interactions Green had with many key figures in twentieth-century music, including John Cage, Henry Cowell, Charles Ives, Gunther Schuller, William Grant Still, Virgil Thomson, and many others.
A La Nanita Nana : Traditional Spanish Carol : Arranged for Harp and Chorus, undated
Full score, in ink (4 leaves); Sketches, in pencil (3 p.)
A la recherche du chant: pantomime pour 15 musiciens et un chef d'orchestre, undated
Music manuscripts in Mario di Bonaventura’s possession. Several manuscripts are works that he commissioned.
A Lincoln symphony, 1944
Manuscript scores, business records, and correspondence that reflects AME’s repertoire of new American music by Green, Carl Ruggles, Halsey Stevens, and others, as well as the interactions Green had with many key figures in twentieth-century music, including John Cage, Henry Cowell, Charles Ives, Gunther Schuller, William Grant Still, Virgil Thomson, and many others.
A Mind of Winter for soprano and orchestra, (London: Faber, 1982)
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
A mother’s Christmas song, 1961
Manuscript scores, business records, and correspondence that reflects AME’s repertoire of new American music by Green, Carl Ruggles, Halsey Stevens, and others, as well as the interactions Green had with many key figures in twentieth-century music, including John Cage, Henry Cowell, Charles Ives, Gunther Schuller, William Grant Still, Virgil Thomson, and many others.
"A Nigger is a Mess" (26), undated
A Pascal Agnus Dei : Sopranos, Altos, Horn in F and Organ, [1986]
Full score, in ink (5 leaves)
A set of three, 1959
For piano
A Short English Mass : Mixed Chorus and Organ, [1965]
Photocopy of full score in ink (15 leaves)